Dream in B(lue) minor

Dream in B(lue) Minor invites viewers into a world where the line between conscious and unconscious is beautifully blurred, where the boundaries of reality and fantasy blur into each other. The painting is intentionally blurred, with strips of muted blue tones dominating the canvas, creating an atmosphere that feels both serene and haunting. The women's figures are present but elusive, their bodies merging into the surrounding shades, suggesting a deep connection between the physical form and the emotional landscape of dreams.

These feminine shapes, barely distinguishable from the background, evoke a sense of mystery and sensuality. Their hidden presence suggests desires that are both appealing and forbidden, that dwell in the corners of the mind where repressed dreams and thoughts dwell. The elements are not meant to be seen clearly; Instead, they symbolize the fragments of memory that remain after awakening—vivid emotions that refuse to be fully understood or understood.

The title is not just a musical reference, but an emotional one. And minor is often associated with melancholy, introspection, and unresolved tension, just like the feeling you get when you wake up from a dream that was both captivating and unsettling. This musical reference suggests a connection with Symphony No. 6 Tchaikovsky's "Pathetic", a work full of emotional depth and complexity. The symphony, like the painting, explores themes of longing, despair and the ineffable nature of human experience by subtly alluding to an underground symphonic current while using a play on words generated by international musical notation (B) and blue as the dominant color in the composition of the painting. The painting captures the fleeting and fragmented nature of dream memories – where only vague impressions and emotions persist, just like unresolved tension in a minor key.