The King

In visual culture, the image of “the King” is among the most recognizable. Yet, as in Print Error, what feels familiar is transformed once filtered through the painterly gesture.

The portrait is not rendered photographically, but fragmented — like a glitch that simultaneously dismantles and reconstructs the figure. Colors intersect, bleed, and invite the gaze to search for the face beyond appearances. Error becomes an instrument: a reminder that even in the most “iconic” images there is room for vibration, imperfection, and reinterpretation.